Anthropomorphism
loosely means Humanlike[1]. This usually means applying human
characteristics like expressions and clothing to animals, giving animal
features to human characters or combining a little bit of both. In some situations,
anthropomorphism comes from one extreme to another when a human is turned into
an animal for the sake of the narrative. The classic narrative of the Prince
being turned into a frog or a witch casting a spell to animalize someone who
has wronged her is one as old as written literature. This is literary technique
most often used as a punishment as a result of the human character’s actions.
One classic example of this transformation would be the character Nick Bottom
from William Shakespeare’s A Midsummer Night’s Dream.
Figure
1 [2] Nick Bottom and Titania, Queen of the
Faeries as Illustrated by Arthur Rackham,
published 1909. For original image click here: http://www.artpassions.net/cgi-bin/rackham.pl?../galleries/rackham/msd/msd41_bottom_titania.jpg
This character thinks of himself as a bit of a Thespian and
is so
confident of his abilities to the point that he believes he can do anything [3].
This egotism leads Puck, a servant to the fairy king, to transform his head
into a donkey’s, perhaps mirroring his ass-like behaviour. Upon his change from
an animal-headed human back to his human state, he wakes from the spell to
somewhat of revelation. He exclaims ‘I
have had a most rare vision. I
have had a dream, past the wit of man to say what dream it was: man is
but an ass [4]. His time as an anthropomorphised human
has given him a change of heart and attitude, and he approaches his co-stars as
equals rather than extras.
Figure 2 [5] Emperor Kuzco's human form. 2000. For
original follow this link: http://disney.wikia.com/wiki/Kuzco
Figure 3 [5] Emperor Kuzco's llama form. 2000. For
original image follow this link: http://disney.wikia.com/wiki/Kuzco
Another example of this human-to-animal anthropomorphic
transformation comes from the 2000 Disney film, The Emperor’s New Groove. This
film sees the titular Emperor, Kuzco, transformed into a Llama by the film’s
main villain. Although this action is due to the villain’s egotistical plan, it
eventually leads to a friendship forming between this vain, self-centred young
ruler and one of his subjects. Because of this friendship the Emperor
ultimately changes his mind and his ways to benefit his new friend and his
family. It’s almost as if his transformation has an effect on his thoughts and
ultimately has an adverse effect on the narrative. I’m starting to see a
pattern emerging here…
Figure 5 [6] Queen Elinor in her human form. 2012. For
original image follow this link: http://disney.wikia.com/wiki/Queen_Elinor
Figure 6 [6] Queen Elinor in her bear form. 2012. For
original image follow this link: http://disney.wikia.com/wiki/Queen_Elinor
In the 2012 film Brave, our main character Merida, uses a
witch’s spell to ‘change her mum’s mind’ about being married off for the sake
of their clan. What she doesn’t realise is that the spell ‘changes her mind’,
and the rest her into a bear. This forces the two of them to work together to
reverse the spell, also allowing them to become closer and put their petty arguments
aside. By the end of the film, the two characters are closer than ever and all
issues that happened before the change are resolved by the new ideas and
relationships that come about after the reversal of the spell.
It would appear then, that if a particular character of literary or filmic fiction needs their mind or opinions changing, then turning them into an animal, be that Donkey, Llama or Bear, may be a good idea.
It would appear then, that if a particular character of literary or filmic fiction needs their mind or opinions changing, then turning them into an animal, be that Donkey, Llama or Bear, may be a good idea.
References
[1] TVTropes.org, 2015.
[2] ArtPassions.net, 2015.
[3] TVTropes.org, 2015.
[4] Shakespeare.mit.edu, 2015.
[5] The Disney Wiki, 2015.
[6] The Disney Wiki, 2015.
[2] ArtPassions.net, 2015.
[3] TVTropes.org, 2015.
[4] Shakespeare.mit.edu, 2015.
[5] The Disney Wiki, 2015.
[6] The Disney Wiki, 2015.
Bibliography
Arthur Rackham Society. 2012 List of
Illustrations. [Online] [Accessed from 2015] Available from:
Art
Passions. Illustration of Nick Bottom and Titania. [Online] [Accessed from
2015] Available from:
The
Disney Wiki. 2015. Images of Emperor Kuzco. [Online] [Accessed from 2015]
Available from:
The
Disney Wiki. 2015. Images of Queen Elinor. [Online] [Accessed from 2015]
Available from:
http://disney.wikia.com/wiki/Queen_Elinor
http://disney.wikia.com/wiki/Queen_Elinor
Shakespeare
MIT, A Midsummer Night’s Dream. 1590-96. Quotation of Bottom. [Online]
[Accessed from 2015] Available from: http://shakespeare.mit.edu/midsummer/full.html
TV
Tropes. 2015. Characters: A Midsummer Night’s Dream. [Online] [Accessed from
2015] Available from: http://tvtropes.org/pmwiki/pmwiki.php/Characters/AMidsummerNightsDream
TV
Tropes. 2015. Sliding Scale of Anthropomorphism. [Online] [Accessed from 2015]
Available from: http://tvtropes.org/pmwiki/pmwiki.php/Main/SlidingScaleOfAnthropomorphism
Wikipedia.
2015. A Midsummer Night’s Dream. [Online] [Accessed from 2015] Available from: http://en.wikipedia.org/wiki/A_Midsummer_Night%27s_Dream
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